Shadow puppet master and his assistant on show. The puppets are manipulated by one lead artist, the Hayali, who may have one or more apprentice-assistants who are learning the craft by helping to create the tasvirs and accompanying the action with music. Ramadan, a character from Turkish culture, hacivat Hacivat Vector Hacivat Traditional Turkish shadow play Karagoz and Hacivat Backstage view of a traditional Turkish shadow play Karagoz and Hacivat. of Karagoz (Karagheus), the traditional Turkish Shadow Theatre. Tradition Traditional puppetry is characterized by specific styles, particular stories, types of puppets and techniques of performance that have been passed down from generation to generation. The play consists of four main parts: Introduction, Dialogue, The Main Play and The end. Known as shadow theatre, or Karagiozis in Greek, it included paper-made puppets which were handled by one puppeteer who stood behind a white screen (a. We focus on transforming the traditional Piying play into an interactive system. in, Stories of Stars and Acrobats: Forms of Theatre between Turkey and Europe. The Karagz theatre consisted of a three sided booth covered with a curtain. Karagz weaves together poetry, music, song, and dance blending ordinary tales with mysticism and humor. Shadow play is an old tradition and it has a long history in Southeast Asia. These could be: imam, dancer, clown, neighbors, dancers, servants, ladies, mythological creatures, madman, deafman and so on. Turkish shadow theatre Karagöz - comicity and nomadism. The art of Karagz Turkish shadow puppets, is beyond magical it not only brings life to flat, two-dimensional hand-drawn images using light, color, and shadow, but it awakens the dreamer in all of us. In addition to the main characters, some other stereotype roles that represent people in Istanbul’s neighborhoods, from different ethnical backgrounds could also be seen in the play. Karagöz is the straightforward, rude and less educated character who symbolizes public opinion and common sense, whereas Hacivat is the clever, educated, slightly sneaky and smooth-tongued character who is from upper-class. Ottoman Empire karagöz,the shadow theatre of the coffee- houses, was characterized by sexual and political humor, characteris- tics that it shares with genres like tolubommalataof India, the wayangof Indonesia, and other puppet traditions of Asia and Eurasia.1This mix- ture of sexual liberty and lampooning those in power is characteristic of rur. These two roles are quite opposite to each other and the comedy in the play stems from their contrasting characters. In Karagöz play, leading roles are “Karagöz” and “Hacivat”.
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